Lumière Festival's Classic Film Market Expands Global Reach, Celebrates Greece, and Highlights Taiwan's Heritage Cinema

Chimamanda Ngozi Adichie

Acclaimed novelist ("Americanah") whose essays and talks offer sharp critiques of culture and feminism.

The International Classic Film Market (MIFC), an integral component of the esteemed Lumière Festival in Lyon, is rapidly solidifying its global presence as a pivotal hub for the heritage film industry. This expansion is paralleled by a notable surge in the popularity of classic films, which are now captivating increasingly diverse and younger demographics. This year's MIFC, scheduled from October 13-16, is poised to further underscore these dual trends, offering a rich program that includes discussions on classic film distribution models, an in-depth exploration of the re-release of Ken Russell's controversial 1971 film 'The Devils' by Warner Bros.' specialty division, Clockwork, and dedicated focuses on the cinematic legacies of Greece and Taiwan. These initiatives highlight the growing recognition of classic cinema not just as cultural artifacts but as commercially viable assets, prompting major studios like Studiocanal and Warner Bros. to establish dedicated labels for their extensive film libraries.

As the market evolves, it also confronts significant challenges, particularly regarding the complex landscape of film distribution and rights management. The rise of 'hyper-distribution,' where film rights are fragmented and resold, poses risks to traceability and control, potentially leading to revenue losses. However, this environment also positions heritage cinema as a vital laboratory for innovation. The MIFC aims to address these issues by fostering greater European and international collaboration, expanding its scope beyond traditional heritage cinema, and introducing initiatives like the Classics Innovation Corner to streamline rights information and facilitate broader film circulation. Ultimately, the market acknowledges that the distinctions between classic and contemporary cinema are blurring, as today’s films are tomorrow’s heritage, making the lessons learned in classic film preservation and distribution increasingly relevant to the entire industry's future.

Expanding Horizons: MIFC's International Growth and Industry Focus

The International Classic Film Market (MIFC), an essential part of Lyon's Lumière Festival, is experiencing significant growth in its global reach, becoming a crucial gathering for the heritage film sector. This expansion is driven by a rising interest in classic films, which are now drawing larger and younger audiences worldwide. The upcoming MIFC, set to run from October 13-16, will underscore these trends through its diverse program. Highlights include panels discussing distribution models for classic films, featuring experts from companies like Paramount and Park Circus. Warner Bros.' specialty film division, Clockwork, will present a detailed case study on the re-release of Ken Russell's contentious 1971 movie, 'The Devils.' Additionally, the market will honor Greece as its featured country and dedicate a special focus to Taiwanese cinema, reflecting the increasing market value and cultural significance of heritage films.

MIFC's strategic growth is further demonstrated by its efforts to connect national film industries with global buyers, distributors, and programmers. The spotlight on Greece coincides with the country's ambitious €750 million 'Greece On Screen' plan, aimed at bolstering production, distribution, and the preservation, digitization, and restoration of its cinematic heritage. Similarly, the Taiwan Focus highlights years of successful restoration efforts and international circulation of its films through various platforms, including cinemas, television, and home video. Now in its 14th year, the MIFC, though relatively niche, maintains a unique position as a dedicated marketplace for classic and heritage cinema. Its success lies in providing a consistent physical meeting point for industry professionals, as noted by co-head Anaïs Desrieux. The market's relocation to the historic Grand Hôtel-Dieu in central Lyon further integrates participants with the festival's activities, reinforcing its standing on the industry calendar and capitalizing on the festival's substantial appeal.

Navigating the Evolving Landscape: Challenges and Innovations in Heritage Cinema

Despite its growing prominence, the classic film industry faces considerable challenges, particularly in navigating the complexities of film distribution and rights management. A key concern raised by industry professionals is 'hyper-distribution,' where film rights are fragmented and resold in numerous pieces. This practice can lead to a loss of traceability, visibility, and control over rights, ultimately impacting revenue streams. However, these challenges also position heritage cinema as a dynamic testing ground for innovative solutions applicable to the broader film industry. The MIFC is actively addressing these issues by fostering increased European and international collaboration and expanding its discussions beyond the traditional scope of heritage cinema. This forward-thinking approach aims to develop new strategies for content management and audience engagement in an increasingly saturated market.

The MIFC's commitment to innovation is evident in initiatives like the Classics Innovation Corner, which showcases new tools designed to clarify and streamline the sharing of rights information, thereby facilitating wider circulation of films. Market leaders such as Studiocanal and Warner Bros. have recognized the intrinsic value of their film libraries, establishing dedicated catalogue labels that reflect a strategic shift from viewing these assets as burdens to recognizing them as significant added value. This shift underscores a comprehensive strategy for film exploitation across festivals, theatrical releases, home video, and international sales, indicating a rapidly accelerating niche sector. Anaïs Desrieux envisions a future where the rigid distinction between 'classic' and 'contemporary' cinema diminishes, as many long-standing questions in heritage cinema—such as making films stand out, renewing audiences, preserving diversity, and coordinating multi-platform releases—have become central concerns for the entire industry. The continuous cycle where today's contemporary films become tomorrow's heritage further solidifies the critical role of classic cinema in shaping the future of filmmaking.

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