Marie Clements Spotlights Indigenous Women's Narratives and Her Dialogue with Gloria Steinem

Ta-Nehisi Coates

Author and journalist whose work on culture, race, and history includes writing for Marvel's "Black Panther."

Marie Clements, a visionary writer and director, is bringing forth powerful narratives centered on Indigenous women through her latest film and documentary series. These projects aim to illuminate the strength, resilience, and unifying spirit within Indigenous communities, advocating for a deeper understanding of shared humanity.

Bridging Worlds: Indigenous Voices and Global Understanding

Unveiling "How We Stand" and "Reclaim My Skin": A Dual Premiere

Marie Clements is making a significant return to the festival circuit with two compelling productions. Her film, “How We Stand,” is set to debut at the Toronto Film Festival, offering a poignant look into the lives of Indigenous women. Concurrently, her three-part documentary series, “Reclaim My Skin,” will premiere at the Vancouver International Film Festival, promising an intimate exploration of identity and cultural reclamation. Both endeavors underscore Clements' commitment to amplifying the voices and stories often overlooked in mainstream media.

The Power of Shared Humanity: Insights from Gloria Steinem

Clements recently shared a profound experience from the creation of her documentary series, recounting an interview with feminist icon Gloria Steinem alongside Indigenous activists Louise Wakerakats:se Herne and Michelle Schenandoah. She noted the remarkable dynamic among these powerful women, observing how they respectfully engaged despite their diverse backgrounds, proving that common ground can always be found. This dialogue exemplifies the core message of Clements' work: that shared values often outweigh differences.

From Stage to Screen: The Evolution of "How We Stand"

“How We Stand” draws its inspiration from Clements’ 2011 stage play, “Tombs of the Vanishing Indian.” The film adaptation expands upon the original work, exploring the complex realities and societal currents of the 1970s. Produced by Marie Clements Media and Screen Siren Pictures, with Myriad Pictures handling international sales, the film promises a rich cinematic experience that delves into the historical and personal journeys of its characters.

Sisters' Journeys: A Glimpse into 1970s Los Angeles

The film chronicles the lives of three young Oklahoma sisters and their single mother, who relocate to Los Angeles in the 1950s under a program offering opportunities to Native Americans. However, their arrival reveals a different reality, leading them to find solace and community in the city's hidden riverways. A subsequent tragedy splinters their paths, showcasing their distinct journeys through the ever-changing cultural landscape of 1970s Los Angeles. The narrative explores themes of resilience and self-discovery as these women navigate challenges and define their futures.

Stellar Performances: Bringing Characters to Life

The film features an exceptional cast, with Amber Midthunder ("Prey") portraying a doctor embarking on a new professional chapter, Alyssa Wapanatâh ("Peter Pan & Wendy") as an outspoken activist seeking roles in Hollywood, and Isabel DeRoy-Olson (AMC’s “Dark Winds”) as a young woman grappling with the aftermath of trauma. Clements expressed immense admiration for the actors, noting their ability to deeply embody their characters and infuse them with authenticity.

Exploring Hidden Histories: The Research Behind the Narrative

Clements’ extensive research for the original stage play involved delving into the collections of the Autry National Center in Los Angeles. A pivotal conversation with a colleague's aunt, who spoke of the "tombs of the riverways" where Indigenous people gathered, sparked Clements' imagination. This discovery led her to explore themes of underground communities and the often-unseen policies that shaped the lives of Indigenous peoples during that era.

Past Echoes, Present Realities: A Timeless Struggle for Justice

While “How We Stand” is set in the past, Clements highlights the enduring relevance of its themes to contemporary issues. She draws parallels between historical policies of family separation and modern immigration challenges, emphasizing the profound and generational impact of such acts. Clements passionately asserts that the fight for women's rights, a central struggle in the 1970s, continues today, driven by resilient women committed to creating a better future.

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