Donna Gigliotti and Mike Farah have officially assumed the roles of co-presidents for the Producers Guild of America (PGA), stepping in after the tenure of Donald De Line and Stephanie Allain. The new leadership team emphasized their commitment to guiding the guild and its members through the evolving landscape of the entertainment industry. Their collective experience and vision are set to shape the future direction of the organization.

The election of Gigliotti and Farah marks a significant transition within the PGA. Both individuals bring distinguished careers in film and television production to their new responsibilities. They have pledged to uphold the guild's core values, focusing on supporting producers and embracing innovative opportunities, while navigating the complexities and rapid changes currently impacting the industry.

New Leadership at Producers Guild

Donna Gigliotti and Mike Farah have officially been instated as the co-presidents of the Producers Guild of America, taking over from Donald De Line and Stephanie Allain, who had led the organization since 2022. In a joint statement, Gigliotti and Farah conveyed their deep honor in assuming these pivotal roles during a transformative period for the entertainment sector. They extended their appreciation to De Line and Allain for their steadfast guidance and dedication, particularly during a time of substantial industry shifts. The new presidents highlighted the PGA's role in fostering a supportive community for its members and validating the crucial work of producers at the highest levels of achievement. They reiterated the guild's commitment to exploring new avenues for producers while firmly adhering to fundamental production principles such as resilience, persistence, and comprehensive commitment to all facets of the craft.

The outgoing presidents, Donald De Line and Stephanie Allain, expressed their enthusiasm for Gigliotti and Farah's appointment, calling it an immense privilege to pass the leadership baton to them. They acknowledged Gigliotti and Farah's genuine dedication to bolstering producers and their daily contributions to the industry. De Line and Allain anticipate that the guild will greatly benefit from the new presidents' unique perspectives, profound expertise, and shared sense of purpose, especially as the industry undergoes significant changes. They conveyed excitement for the future of the PGA under this new leadership, looking forward to the innovations and progress that Gigliotti and Farah will collectively achieve. This transition signifies a continuation of the guild's mission with fresh leadership at the helm, ready to address contemporary challenges and opportunities in production.

Distinguished Careers of the New Presidents

Donna Gigliotti, a highly acclaimed producer, has an impressive track record that includes winning an Academy Award for Best Picture for "Shakespeare in Love." Her work has also garnered multiple other Best Picture nominations for critically acclaimed films such as "Hidden Figures," "Silver Linings Playbook," and "The Reader." Beyond her production achievements, Gigliotti has contributed significantly to industry governance. She served a six-year term on the Board of Governors for the Academy Museum of Motion Picture Arts and Sciences, where she held key positions as Governance Chair and Finance Chair, demonstrating her leadership and commitment to the broader cinematic community.

Mike Farah brings a diverse background to his new leadership role. Early in his career, he worked as an assistant to former PGA president Stephanie Allain, establishing a foundational understanding of the industry. Farah is an accomplished producer with three Emmy Awards to his name and was notably the first producer for Funny or Die, starting in 2008. His recent production credits include the film "Weird: The Al Yankovic Story" and the television series "@fter Midnight." After nearly two decades with Funny or Die, Farah recently transitioned to working as an independent producer, further broadening his experience and influence within the entertainment landscape. His journey reflects a deep engagement with both comedic and narrative forms of content creation.